
Ask anyone in the know and they'll tell you: Paul Kalkbrenner is a class act. Over the past decade, he's released a smattering of choice singles, remixes and even a couple of albums on Ellen Allien's Bpitch Control label to much critical and popular acclaim. He's one of the few producers who can tie together a really great, soaring, searing melody and a heavy (we're talking headbangin' heavy) club beat into a beautiful whole, all with a wonderfully wistful sensibility that's rarely seen outside of the world of Kompakt records.
(above: Kalkbrenner rocking the Locarno Film Festival)
Like his labelmates Ellen Allien and Sascha Funke, Kalkbrenner is now a prime candidate for being the next "crossover" act into indie rock territory: his huge fanbase in the world of techno is all abuzz about the release of the upcoming Berlin Calling, a film about a Berlin DJ which features his debut both as an actor and as a soundtrack composer.
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